A Rainy Day in New York

2019 6.5 1h 32m
A Rainy Day in New York

Movie Overview & Analysis

Woody Allen's latest film, 'A Rainy Day in New York', attempts to mix charm with cynicism, but often falls into familiar traps. Despite its appealing cast, the film struggles to deliver a cohesive story that captivates from start to finish.

Film Director: Woody Allen
Duration: 92 min
Genre: Comedy, Romance
Year: 2019

A Potentially Lost Opportunity

While 'A Rainy Day in New York' has its moments of charm and humor, it ultimately suffers from pacing issues and a lack of narrative focus. The film feels like a collection of scattered ideas rather than a cohesive story, leaving viewers with more questions than answers. It’s not a total loss, but it’s not the engaging film it could have been either.

6.5/10

Film DNA

The radar scores reflect a film that has some charm and humor but struggles with depth and cohesion, making it less engaging upon repeated viewing.

Pros

  • Strong performances from the lead actors
  • Witty dialogue and moments of humor

Cons

  • Disjointed storytelling with pacing issues
  • Some characters feel underdeveloped or cliché

Cynics and Dreamers Alike

This film may appeal to Woody Allen fans who appreciate his signature style of romantic comedy mixed with existential musings. Those who enjoy character-driven stories with a dash of New York charm might find something to savor here. However, viewers looking for a tightly woven plot or significant character growth will likely feel let down. Additionally, the film's cynical tone could alienate those who prefer more optimistic narratives. If you dislike movies that meander without a clear conclusion, best to steer clear of this one.

A Charming, Disjointed Adventure

The film follows Gatsby Welles (Timothée Chalamet) and Ashleigh Enright (Elle Fanning), a young couple who arrive in New York City for a romantic weekend. However, what was supposed to be a joyful escape quickly turns into a series of misadventures. With rain pouring down and unexpected encounters—including a troubled filmmaker (Jude Law) and a quirky paparazzo—Gatsby and Ashleigh find themselves drifting apart. The plot wanders through various vignettes, touching on themes of love and ambition but ultimately feeling disjointed and lacking a clear direction as the couple grapples with their own uncertainties and the absurdities of life.

Star Power, Mixed Performances

Timothée Chalamet delivers a solid performance as Gatsby, embodying the character's charm and youthful confusion. Elle Fanning shines in her portrayal of Ashleigh, though the script sometimes weighs her character down with simplistic dialogue. Selena Gomez, as Chan, provides a refreshing presence but feels underutilized, often relegated to the sidelines. Jude Law's role as the jaded filmmaker comes off as pretentious rather than profound, which could be attributed to the uneven writing. The ensemble cast has its moments, but some characters, like Liev Schreiber’s Roland, lack development, making them feel more like caricatures than real people.

Signature Style, Uneven Execution

Woody Allen's direction maintains his signature style, filled with witty dialogue and New York City’s romanticized backdrop. The visuals, while adequately capturing the city’s allure, sometimes feel static and uninspired, lacking the vibrancy needed to elevate the mundane moments. The pacing is uneven; the first half flows with a lightness that draws you in, but it quickly loses momentum, with sequences dragging on longer than necessary. The rainy atmosphere, while thematically appropriate, becomes an overused trope, contributing to the film's repetitive feel, and the overall editing could have been sharper to enhance the comedic moments.

Humor with Long Pauses

Watching 'A Rainy Day in New York' feels like a mixed bag. There are genuinely funny moments that elicit laughter, but they are often overshadowed by quiet stretches of tedium that make the 92-minute runtime feel longer. Character interactions sometimes verge on absurdity, which can be entertaining, yet at other times just leaves viewers scratching their heads. The emotional depth is frustratingly inconsistent, with moments that hint at something more profound quickly dissipating into triviality. It's hard to fully invest in the characters when they seem to be flitting around New York without a clear purpose, leaving a lingering sense of disconnection.

Watch if you liked: Me and Orson Welles, The Last Kiss