Breakthrough

2019 7.6 1h 56m
Breakthrough

Genres

Movie Overview & Analysis

Imagine your child trapped underwater for over 15 minutes. 'Breakthrough' tackles this intense premise but often pitches the emotional moments a bit too high, teetering on melodrama.

Film Director: Roxann Dawson
Duration: 116 min
Genre: Drama
Year: 2019

Strives for Impact, Falls Short

'Breakthrough' is a well-meaning drama that struggles under the weight of its own emotional ambition. While it delivers some touching moments, its flaws in pacing and character development hold it back from being truly impactful.

7.5/10

Film DNA

The radar scores suggest that while 'Breakthrough' offers some emotional weight and a decent story depth, its visual impact and originality leave much to be desired.

Pros

  • Strong lead performance by Chrissy Metz
  • Inspiring true story

Cons

  • Pacing issues with repetitive scenes
  • Underdeveloped supporting characters

Aiming for Faithful Hearts

'Breakthrough' will appeal to audiences who enjoy uplifting, faith-based narratives and true stories, particularly those invested in the genre of inspirational dramas. However, viewers seeking a nuanced exploration of grief and recovery may find it overly simplistic. Parents and families looking for a poignant tale of determination and miracles will likely appreciate the film, while those who shy away from overt sentimentality or religious themes may find little to engage with. This film is not for viewers who prefer more complex character studies or those who dislike emotionally charged narratives.

A Frozen Fight for Life

'Breakthrough' tells the true story of Joyce Smith, whose son John falls through ice on a frozen lake, nearly drowning. As he fights for survival in the hospital, Joyce, her husband Brian, and their pastor Jason grapple with despair and the hope for a miracle. The film captures the tension of waiting and praying, highlighting the power of faith in desperate times. However, the slow pacing and repetitive scenes sometimes hinder the narrative’s momentum, making it feel longer than its runtime suggests. While the basis for the story is indeed gripping, the execution occasionally lacks the nuance needed to fully engage viewers.

Performances with Mixed Depth

Chrissy Metz delivers a heartfelt performance as Joyce, embodying the emotional weight of a mother’s desperation. However, some supporting characters, like Pastor Jason (played by Topher Grace), seem underwritten and lack depth, often reduced to delivering motivational speeches rather than true character arcs. Josh Lucas as Brian Smith provides a solid foundation, but the emotional stakes could have been more effectively balanced across characters. While the lead performances are commendable, the film suffers from a lack of richer character development for its ensemble, diminishing the overall impact.

Visuals That Miss the Mark

Roxann Dawson’s direction offers a conventional approach, with some attempts at dramatic visuals, particularly in the ice rescue sequence. Unfortunately, many scenes feel stale, bogged down by predictable framing and overly sentimental lighting. The cinematography focuses heavily on close-ups, aiming to capture raw emotion, but this often leads to a lack of dynamic visual storytelling. The film's pacing also feels uneven, with drawn-out sequences that could have benefited from tighter editing. The aesthetic choices serve the narrative but rarely elevate it, leaving the film looking more like a standard inspirational drama than a unique cinematic experience.

A Test of Emotional Patience

Watching 'Breakthrough' can feel like a test of patience, with its heavy reliance on sentiment rather than substance. While there are genuine moments of tension and hope, the frequent shifts into melodrama can be exhausting. Viewers may find themselves frustrated by the predictability of certain plot points and the extended hospital scenes that drag on without significant development. Although the emotional themes resonate, they are sometimes drowned out by an overzealous approach to invoking tears. The film’s heart is in the right place, but the execution leaves a lingering sense of fatigue rather than catharsis.

Watch if you liked: Miracles from Heaven, The Blind Side