Deliver Us from Evil

2014 6.2 1h 58m
Deliver Us from Evil

Movie Overview & Analysis

Deliver Us from Evil attempts to blend crime thriller elements with supernatural horror, but it often stumbles along the way. While it presents a compelling premise, the execution leaves much to be desired.

Film Director: Scott Derrickson
Duration: 118 min
Genre: Thriller, Crime, Horror
Year: 2014

Frustrating Yet Watchable

Deliver Us from Evil has its moments, but ultimately it struggles under the weight of its own ambitions. The film offers a blend of genres that just doesn't cohesively work, leaving it feeling more like an exercise in frustration than a satisfying narrative experience.

6.3/10

Film DNA

The radar scores reflect a film that has some intriguing concepts but ultimately fails to deliver a cohesive and engaging experience. It leans heavily on genre clichés, which may disappoint viewers seeking something innovative.

Pros

  • Strong initial premise that combines crime and horror
  • Eric Bana's performance adds some depth to the lead role

Cons

  • Weak character development and underutilized cast
  • Pacing issues lead to moments of boredom

For Horror Fans Only

This film might appeal to fans of supernatural thrillers who enjoy a mix of horror and crime drama. However, those seeking a substantive story with well-developed characters will likely find it lacking. The pacing issues and reliance on horror tropes might alienate viewers looking for something fresh. If you prefer nuanced storytelling over jump scares, this film won't resonate. Those who appreciate vintage horror films or are fans of Scott Derrickson might find some enjoyment, but mainstream audiences are better off searching for other options.

A Dark City and Demons

Set against the backdrop of a violence-ridden New York City, 'Deliver Us from Evil' follows troubled cop Ralph Sarchie, played by Eric Bana. As he investigates a series of gruesome crimes, he encounters a rogue Jesuit priest named Mendoza, portrayed by Edgar Ramírez. Together, they explore the unsettling idea that demonic possession is behind the chaos. The film weaves together elements of crime and horror, but it also struggles with pacing and narrative coherence as it attempts to explain the bizarre incidents. The story ultimately lacks a strong foundation, leaving viewers questioning the plausibility of its supernatural claims.

Mixed Performances and Missed Potential

Eric Bana delivers a solid performance as Sarchie, embodying the character's inner turmoil and skepticism. However, the script doesn't give him much depth to work with, leading to a somewhat one-dimensional portrayal. Edgar Ramírez's Mendoza has potential but often feels more like a plot device than a fully realized character. Olivia Munn's role as Jen lacks significant development, making her presence feel more like an afterthought. The supporting cast, while competent, doesn't leave a lasting impression, with characters like Joel McHale's Butler falling flat due to limited screen time and weak dialogue.

Pacing Issues and Visual Clichés

Scott Derrickson's direction oscillates between effective tension-building and muddled pacing. Some sequences attempt to create suspense with dark visuals and erratic editing but often end up feeling overdone and predictable. The cinematography captures the grim essence of New York City, yet relies heavily on clichés of the horror genre. The overuse of jump scares feels cheap, detracting from the film's potential to genuinely disturb. While there are a few standout scenes, the overall visual narrative lacks the cohesion that could elevate it beyond a standard horror thriller.

Tension Mixed with Boredom

Watching 'Deliver Us from Evil' can be a mixed bag. There are moments that evoke genuine tension, particularly in its opening act, but as the film progresses, it becomes riddled with slow pacing and repetitive themes. The dialogue and character development often stall, leading to moments of boredom where the viewer might find themselves checking the runtime. The film's attempt at a deeper exploration of faith and evil falls flat, leaving a sense of frustration rather than intrigue. It sometimes feels like a chore to sit through, rather than an engaging experience.

Watch if you liked: The Exorcism of Emily Rose, Sinister