I Kill Giants

2017 6.2 1h 46m
I Kill Giants

Movie Overview & Analysis

I Kill Giants wants to enchant its audience but often stumbles over its own intentions. While it has moments of charm, the execution leaves much to be desired.

Film Director: Anders Walter
Duration: 106 min
Genre: Fantasy, Drama
Year: 2017

A Strong Concept, Flawed Execution

I Kill Giants has its heart in the right place but struggles under the weight of its ambition. With a promising premise and strong lead performance, it ends up being a mixed bag that's worth a watch for certain viewers but may frustrate others.

6.2/10

Film DNA

The radar scores indicate a film with an interesting premise but uneven execution. While it has originality and decent visuals, the emotional weight and entertainment factor leave much to be desired.

Pros

  • Strong lead performance by Madison Wolfe
  • Creative visualization of giants

Cons

  • Uneven pacing and dialogue
  • Underdeveloped supporting characters

Target Audience Insights

This film may resonate with those who appreciate coming-of-age stories layered with fantasy elements, but it’s not for everyone. Viewers seeking a fast-paced adventure or straightforward storytelling will likely find themselves bored. The target audience seems to be teens and those nostalgic for graphic novel adaptations. However, viewers who dislike slow narratives or films that dwell on teenage angst might find this film grating rather than charming. It straddles the line between fantasy and realism but may alienate those who prefer one over the other.

A Girl and Her Giants

The film follows Barbara Thorson, a troubled teenage girl who believes she is tasked with killing giants to protect her hometown. As she navigates the challenges of high school and an uncertain home life, she encounters Sophia, a new girl who hopes to befriend her. The story unfolds as Barbara grapples with the weight of her own imagination and the harsh realities of life, ultimately leading to a confrontation with her personal giants. While the premise is engaging, it’s sometimes buried under clunky dialogue and a lack of coherent pacing, making it a mixed experience for viewers.

Performances That Waver

Madison Wolfe delivers a strong performance as Barbara, capturing her angst and determination with a certain authenticity. Zoe Saldaña and Imogen Poots round out the cast with commendable efforts, though their characters feel underdeveloped at times. The supporting cast, including Rory Jackson and Art Parkinson, occasionally overact, which detracts from the overall emotional impact. Some moments miss the mark, leaving viewers wanting more depth and nuance in character relationships. Barbara's journey is the film's focus, but the supporting roles often fall flat, making the film feel uneven.

Imagination Meets Reality

Anders Walter's direction has its moments of brilliance, particularly when visualizing the giants through Barbara's imagination. The cinematography captures the whimsical yet dark undertones of the story, balancing fantasy with harsh reality. However, the pacing feels uneven, with certain scenes dragging on while others rush through important moments. The visual effects that bring the giants to life are impressive but not always seamlessly integrated into the narrative. This inconsistency in directing choices can pull viewers out of the emotional experience, leaving them confused about the film’s tone.

Uneven Emotional Journey

Watching I Kill Giants is like being on a meandering path that sometimes leads to beautiful landscapes and other times feels tedious. The film attempts to tackle serious themes such as grief and isolation, but the execution fails to consistently engage the audience. There are heartfelt moments, particularly in Barbara’s interactions with her mother and friends, yet these are often overshadowed by slogging pacing and dialogue that feels forced. Viewers might feel a mix of frustration and tenderness as the film oscillates between poignant moments and stretches of dullness, making the emotional journey less cohesive.

Watch if you liked: The Edge of Seventeen, A Monster Calls