Ingrid Goes West

2017 6.4 1h 38m
Ingrid Goes West

Movie Overview & Analysis

Ingrid Goes West is a darkly comedic look at obsession in the age of social media. While it has moments that are both funny and uncomfortable, it ultimately leaves you questioning the lengths some will go for connection.

Film Director: Matt Spicer
Duration: 98 min
Genre: Comedy, Drama
Year: 2017

Thoughtful Insights on Connection

Ingrid Goes West is a thoughtful yet unsettling exploration of the lengths to which people go to belong in a hyper-connected world. While it has a few flaws in pacing and character development, the performances and themes make it worth a watch.

6.6/10

Film DNA

The radar scores indicate that while the film has a solid emotional weight and visual appeal, it may not have the depth or rewatchability to make it a standout.

Pros

  • Engaging performances, especially by Aubrey Plaza
  • Sharp commentary on social media culture

Cons

  • Pacing issues in the second act
  • Some characters feel underdeveloped

Niche Appeal for Dark Comedy Lovers

Audiences who enjoy dark comedies or commentary on modern social issues will likely appreciate Ingrid Goes West. Fans of Aubrey Plaza will find her performance particularly engaging, as it embodies her unique comedic style. However, those looking for a straightforward comedy may find the film's darker elements off-putting. Additionally, viewers who are sensitive to themes of mental illness or obsession might want to tread carefully. The film caters to a niche audience that appreciates a blend of humor and social critique rooted in today's digital culture.

A Tale of Obsession

The film follows Ingrid Thorburn, played by Aubrey Plaza, who becomes fixated on an Instagram influencer named Taylor Sloane, portrayed by Elizabeth Olsen. After moving to California, Ingrid attempts to ingratiate herself into Taylor's seemingly perfect life, but her obsession leads to increasingly erratic and dangerous behavior. As Ingrid's mental state deteriorates, the film explores themes of authenticity, loneliness, and the impact of social media on human relationships. The story balances moments of comedy with a more sinister undercurrent, shedding light on the darker side of personal connections in the digital age.

Strong Performances, Mixed Depth

Aubrey Plaza delivers a standout performance as Ingrid, capturing the character's quirky charm and underlying desperation effectively. Elizabeth Olsen brings a more subdued yet captivating presence as Taylor, though her character feels somewhat underdeveloped by comparison. O'Shea Jackson Jr. as Dan adds a layer of warmth to the narrative, even as his character grapples with Ingrid's volatility. Wyatt Russell and Billy Magnussen provide solid support, but their roles aren’t as fleshed out. Overall, the cast works well together, but some characters seem to lack depth, leaving the audience wanting more backstory.

Bright California, Dark Themes

Director Matt Spicer adopts a bright and colorful visual style that contrasts with the film's darker themes. The cinematography effectively captures California's sun-soaked landscapes, which enhances the allure of the social media lifestyle Ingrid wishes to emulate. However, the pacing sometimes feels uneven, particularly in the film's second act, where the tonal shifts may confuse viewers. The editing choices do reflect Ingrid's spiraling mental state, but this may also disrupt the narrative flow for some audiences. Despite these issues, the overall aesthetic successfully mirrors Ingrid's obsession with the glamorous lifestyle she covets.

Uncomfortable Yet Reflective

Watching Ingrid Goes West feels like an unsettling experience interspersed with unexpected humor. The film creates an atmosphere of discomfort, as viewers witness Ingrid's descent into obsession. While it incorporates comedic elements, the underlying sadness of her isolation and need for connection is palpable. The tonal shifts may leave some feeling conflicted; it’s both funny and tragic at the same time. By the end, you are left with a sense of unease that encourages reflection on the consequences of social media-centered lives. It’s not all fun and games, and this duality plays a significant role in how the film resonates emotionally.

Watch if you liked: The Bling Ring, Eighth Grade