What Women Want

2000 6.4 2h 7m
What Women Want

Movie Overview & Analysis

In a world where hearing women's thoughts seems like a superpower, 'What Women Want' delivers an interesting premise but stumbles with its execution. The film's charm is occasionally overshadowed by its dated views on gender dynamics.

Film Director: Nancy Meyers
Duration: 127 min
Genre: Comedy, Romance
Year: 2000

Nostalgic but Lacking Depth

'What Women Want' serves as a reminder of how far romantic comedies have come and how much further they still need to go. It has its moments of charm but ultimately stumbles over outdated themes and underdeveloped characters.

6.4/10

Film DNA

The radar scores reflect a film that's enjoyable yet feels outdated on story depth and emotional weight, but its entertainment value remains solid for a casual watch.

Pros

  • Strong performances from Helen Hunt
  • Lighthearted, entertaining moments

Cons

  • Outdated gender dynamics
  • Underutilized supporting characters

A Mixed Bag for Audiences

'What Women Want' is likely to resonate with fans of early 2000s romcoms, particularly those who appreciate the star power of Mel Gibson and Helen Hunt. However, viewers looking for modern takes on gender dynamics or complex characters will likely find this film dated and frustrating. If you prefer films that break away from traditional tropes or offer deeper commentary on relationships, you may want to steer clear. It's a light watch for those wanting some nostalgia, but could alienate those aiming for more substance.

Nick's Unexpected Power

Nick Marshall (Mel Gibson) is an arrogant advertising executive whose world gets turned upside down when he gains the ability to hear women's thoughts after a freak accident. Dealing with a new boss, Darcy McGuire (Helen Hunt), who is as ambitious as she is captivating, Nick finds the upper hand in his professional game. However, his newfound ability also exposes the vulnerabilities and aspirations of the women in his life, including his teenage daughter and a close colleague. As he navigates this unfamiliar territory, he faces moral dilemmas that challenge his sexist attitudes. The film mixes humor with moments of genuine insight, but ultimately struggles to balance its comedic and serious tones.

Talent Not Fully Realized

Mel Gibson plays the brash Nick with the expected cockiness, though his performance often feels one-dimensional and lacks depth. Helen Hunt as Darcy brings some nuance, showing both strength and vulnerability, but her character sometimes falls victim to cliché romantic tropes. Marisa Tomei, in a supporting role as Lola, shines with her charisma but is underutilized. The film also suffers from predictable character arcs, making it hard to invest in their growth. Overall, the cast has potential, but the script does them no favors, limiting their ability to shine fully.

Polished Yet Predictable

Nancy Meyers directs with her usual light touch, giving the film a polished, feel-good vibe typical of romantic comedies from the early 2000s. The visual style is bright and inviting, yet lacks any real creativity or memorable shots. The pacing, while generally smooth, drags in the second act when the story focuses on Nick's internal conflicts rather than advancing the plot. The film's constant shift between comedy and romance sometimes feels forced, leading to a disjointed viewing experience that leaves you wanting tighter editing and clearer direction.

Fun with Frustrations

Watching 'What Women Want' oscillates between a lighthearted romp and moments of frustration, primarily due to its outdated and at times patronizing take on gender roles. The initial charm of seeing Nick navigate women's thoughts starts to wear thin, and the film’s humor can feel repetitive. The emotional weight it tries to convey about understanding and respecting women often gets lost in the comedy. One can't help but feel a sense of annoyance at how the film simplifies women's experiences and struggles, reducing them to punchlines rather than serious discussions.

Watch if you liked: 13 Going on 30, The Proposal